It has been the most beautiful of afternoons here. The
morning cloud eventually burnt off and I found myself sitting in the garden,
listening to the bird song and admiring my laburnum trees which are now perhaps
seven days from absolute perfection. All the while wondering when I might,
respectably, pour myself a glass of white wine.
And my mind had wandered, as it does, if you are a sad soul
like me, to what might be the topic of my blog tonight. Which was to have been,
if you’re interested, the dilemma of the Scottish Conservatives. Between the
interest of the “Party” who need greater financial autonomy for the Scottish
Parliament in order to have any political traction and the interests of their
supporters who fear that this autonomy would inevitably be employed to their
detriment. Another time perhaps.
For about four o’clock I went to uncork the wine and had a
quick look at my phone and I learned that Iain Banks was dead.
Now, we’d all been expecting this at some point, for all the
minor optimism in the last communication from the man himself, but none of us
had been expecting it quite so soon.
And I found myself genuinely grieved.
I have read every book Iain Banks has written, with or
without the M. Even the rubbish ones (isn’t that a terribly Scottish thing to
say). Except the last one, which I haven’t quite been able to face. As I’m not
quite sure I’ll be able to face his interview with Kirsty.
The “problem” with much literature written by Scots is that
either it is parochial to the point of Kailyard or it starts from the
assumption that, since it is written for an English speaking audience, the
origin of its author is something to be obscured. But some transgress that:
Scott; Stevenson; Iain Banks.
Although, as a Paisley man my favourite book should surely
be Espedair Street and The Crow Road, as a title, can only ever be truly
understood by those with a knowledge of the west end of Glasgow my absolute
favourite of his books is The Bridge. For it most obviously defies that false
dichotomy between speaking to your compatriots and speaking to the world. “WE”
all know the bridge, or, more precisely, the bridges of which he writes. The
story however, in both reality and in the imagined subconscious, speaks to
people who will never ever see the Firth of Forth.
And when he abandoned that local but never parochial frame
by the addition of an M to his name?....Consider Phlebas is one of very few
books of which I have read the last fifty pages in tears. But Use of Weapons is
better, in its parallel but intersecting narratives. And still not as good as
The Player of Games.
To create an entire civilisation is a remarkable achievement
but Banks did that, with no false or inconsistent steps on the way. Hopefully
that achievement will die with him for fan fiction would be disrespectful
except at the hand of a genius capable of equal invention of their own.
It’s only right that, in conclusion, I acknowledge the
political path of his ideas; from disillusionment with “New” Labour to the
conclusion that Independence might be the answer. I don’t agree with him on
that in death anymore than I would have in life. That is Scotland.
But would that we could have argued that out in the Omar
Khayyam tonight and then repaired to Haymarket to depart in different
directions.
His death will be mourned as much by Gordon Brown as it is
by Alex Salmond. Both will have read his books and both will feel his loss. As
we all do.
For an entire Nation mourns tonight.
Iain Banks (1954-2013)
RIP.
As with Lallands Peat Worrier, another very fine tribute to Iain Banks.
ReplyDeleteVery moving, thanks Iain.